“She looks like she’s in pain.” Is what I said
The first time I saw her photograph.
My aunt, who had brought the picture
With her from Japan, laughed in agreement.
The lady in the picture was Kimiko,
My grandfather’s second wife. My aunt
Had only just met her. He had married her
After he returned to Japan, after my grandmother
Had died, after he realized that he still needed
A woman to serve his tea hot and mend the socks
He wore out walking to his fishing spot
Every day. When unusually persistent rains
Kept him from fishing all winter,
He died.
Kimiko died soon after him due
To the meaningless she then confronted,
But not before I met her when I was in Kebara
To say my first farewells to my ancestry.
She would not let me go that easily.
She gave me an elaborate doll, a geisha,
That must have cost half her monthly income.
The doll holds a warrior’s helmet, as if readying
To place it over a samurai’s top-knot,
Perhaps the same way that Kimiko presented
My grandfather’s tackle box each day
Before he battled the fish. I can imagine
Her chopping off the heads of the fish
For the evening meal, musing over what
It might have been like for her male ancestors
To ride over rivers toward war, leaving her
Grandmother’s mother behind to tend dolls.
I have kept that doll, now in my daughter’s
Room. Jamie likes it, even though Kimiko died
Twenty years before she was born. It tells
Her that her female ancestors were warriors
At heart and that she has every reason to be the same.
No comments:
Post a Comment